11. Godzilla.

We watched the original Godzilla (Ishiro Honda, 1954). A giant monster is attacking Tokyo: Why? And how can its destruction be stopped? What sacrifices will required to put an end to this destruction?

Over at It’s Just A Show, your deep-dive podcast about Mystery Science Theater 3000, we talk about a lot of goofy giant monster movies.  But when Adam realized that Beth and Chris hadn't seen the original Godzilla movie before, he arranged a viewing. Do they fall in love with this tragic anti-hero?

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10. Becoming Who I Was.

We saw Becoming Who I Was (Moon Chang-Yong, 2017), a documentary about a young boy in northern India who is a Rinpoche—the reincarnation of a Tibetan monk. Unable to contact his flock in Tibet—and rejected from his local monastery because of this—he travels with his mentor to figure out what he needs to do next.

Chris Piuma and Lochin Brouillard grabbed some drinks afterwards and talked about their first thoughts on the movie.

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9. Anna Bolena.

We saw Anna Bolena, an opera by Donizetti about Anne Boleyn, put on by the Canadian Opera CompanySondra Radvanovksy performed the title role, as the soon-to-be-beheaded second wife of Henry VIII.

Chris Piuma and Michael Collins recorded their thoughts immediately afterwards. (It made Chris think of a new book he had just read about the feminist history of divorce and breaking up.)

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8. Matangi/Maya/M.I.A.

We saw Matangi/Maya/M.I.A. (Stephen Loveridge, 2018), a documentary about musician/activist/director/provocateur M.I.A., a Tamil refugee who became an unlikely pop star. The movie traces her early life, her rise to fame, her attempts to use that fame to address the civil war and genocide in Sri Lanka, and the controversies that have surrounded her career. 

Michael Collins and Suzanne Akbari chatted afterwards to think through the movie.

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7. The Nightingale and Other Short Fables.

We saw The Nightingale and Other Short Fables, a collection of short operatic and concert pieces by Igor Stravinsky put on by the Canadian Opera Company. If you’re thinking of seeing this and don’t want spoilers about the production (and that’s a reasonable way to want to see this), then don’t listen yet.

Chris Piuma and Michael Collins chatted in the car right after the performance, which it turns out they enjoyed rather a lot.

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6. The Return.

We return to Hot Docs for The Return (Malene Choi, 2018), a hybrid documentary (i.e., one that includes fictional elements). It tells the story of two adoptees from South Korea who grew up in Denmark and who return to Korea to seek their biological parents, with complicated results.

Afterwards Chris Piuma and Lochin Brouillard had some tea and discussed the film and its resonances with Lochin’s experience as an adoptee from China who grew up in Canada.

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5. Cielo.

We saw Cielo (Alison McAlpine, 2017) at Hot Docs. (Funny how we’re seeing a lot of documentaries during a documentary film festival.) Cielo (Spanish for "sky") has a lot of big questions about our relationship to the night sky, and the director asks both astronomers and villagers in Chile’s majestic Atacama plateau.

Chris Piuma and Angelo Muredda went out for coffee afterwards to discuss the film and their own relationship to the stars. (See also: Chris’s song about a constellation and Angelo’s podcast about trekking across the universe.)

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4. People’s Republic of Desire.

We saw the documentary People’s Republic of Desire (Hao Wu, 2018). It follows two people in China who are hoping to become famous through live-streaming. It also tracks the fans—some very rich, some very poor—who pay to vote for them in an annual competition. We went to get some bubble tea afterwards to talk about the film and wonder about internet audiences, social connectedness, and bad interface design.

Chris Piuma and Lochin Brouillard saw this film as part of Hot Docs. Chris mentions this episode of You’re Not Funny.

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3. Shirkers.

In the early 90s, three teen zinester girls in Singapore make a movie with their Svengali-like older friend Georges. It’s a feature-length experimental road movie called Shirkers, and it is destined to become a cult classic—until Georges runs away with the footage. Sandi Tan, the wunderkind screenwriter and lead actor of Shirkers, now presents Shirkers (2018), a documentary about the lost film, and an attempt to figure out what happened after Georges left.

Chris Piuma and Nadia Halim saw the film at Hot Docs and discussed it afterwards over drinks.

 

 

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